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Containing all eleven processes from CEDAR Studio DNS™, CEDAR Studio Restore™ and CEDAR Studio Retouch™, CEDAR Studio Complete is the most advanced plug-in suite available for noise suppression and audio restoration. It will eliminate your impulsive noise problems – clicks, crackle, and thumps – remove background noise, reduce hiss, and eliminate hums, buzzes, and clipping distortion. It will also allow you to remove individual sounds, correct wrong notes, and much, much more. Finally, to prepare your track for its intended purpose, its unique Adaptive Limiter is ideal for mastering and maximising.
When the audio really matters, audio engineers rely upon CEDAR Studio Complete.
$6,635.50
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The CEDAR Adaptive Limiter 2 employs another unique algorithm developed by CEDAR that constrains the peak level of the output while retaining the integrity of the input. The result is a perfectly controlled signal that remains much more natural than audio processed using other limiters.
It is also an unsurpassed loudness maximiser and, with its advanced resampling and noise shaping capabilities, is ideal for mixing, final mastering and other creative duties. |
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The CEDAR Auto Dehiss embodies an advanced algorithm that is far less susceptible to the unwanted side-effects sometimes called twittering, glugging, the ‘underwater sound’, and even ‘space monkeys’.
In short, it’s able to determine the broadband noise content and remove it without the introduction of these unwanted artefacts. A manual mode is also offered for fine-tuning the results when wanted. |
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The CEDAR Declick offers better impulsive noise detection and a better interpolator than any other plug-in declicker. This results in superior performance across a wider range of material than ever before.
Indeed, this performance is so good that, in most cases, it’s not possible to hear that the signal was damaged prior to restoration. |
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The CEDAR Declick offers better impulsive noise detection and a better interpolator than any other plug-in declicker. This results in superior performance across a wider range of material than ever before.
The performance is so good that, in most cases, it’s not possible to hear that the signal was damaged prior to restoration. |
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The CEDAR Declip 2 effortlessly removes clipped samples and reconstructs the original signal, improving clarity, eliminating distortion, and restoring the original dynamic range of the damaged audio. Our latest algorithm even tracks the clipping amplitude so that material that has later been processed with dynamics packages can still be restored.. |
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The CEDAR Decrackle boasts a remarkable ability to dig into the damaged signal to identify and remove all manner of ground-in and grungy crackle without damaging the wanted audio.
It also removes many forms of buzz and some amplitude distortions from material ranging from cylinder recordings to current broadcasts contaminated with lighting buzz.. |
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The CEDAR Dethump eliminates the extended low-frequency thumps that cannot be restored using conventional declicking processes and filters.
It replaces the unwanted sound with restored low frequency audio and is the ideal tool for removing many of the previously intractible problems associated with optical soundtracks, cylinders, 78rpm discs, and even modern recordings when, for example, microphones and stands are bumped. |
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The CEDAR Manual Declick is ideal for restoring the extended scratches and clicks encountered on many audio media – film, tape or disk, whether analogue or digital.
Its unique dual algorithms – optimised for long clicks and scratches – will remove noises such as those found on optical soundtracks, as well as drop-outs and extended digital errors. |
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If you work with film dialogue, the speed, flexibility, and ease of use of DNS One provides solutions to audio problems that you could not previously solve.
It’s the standard for multi-channel post-production in the film, video, and TV industries. It’s also ideal for removing motor noise from recordings, for eliminating electrical interference, and for helping to clean up recordings suffering from unfavourable acoustics and poor microphone locations. |
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A huge success within the DNS 2™ hardware unit, the newly developed algorithm in DNS Two has already proved to be the quickest, simplest and most effective dialogue noise suppressor ever developed.
In almost all cases, using DNS Two is as simple as switching on LEARN and then adjusting the attenuation to obtain the desired amount of noise reduction. If you’re working with location sound recordists and studios who use DNS 2s, DNS Two will allow you to replicate their work precisely and fine-tune the audio for the best possible results. |
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So why should you choose Retouch? It’s because it does the job better than anything else, providing clinical and seamless repair of otherwise intractible problems without leaving behind (or, for that matter, introducing) unwanted artefacts.
With its slick user interface and enhanced processing capabilities, Retouch stands alone as the spectral editor of choice for the top mastering studios, mix suites, post houses, forensic laboratories, and anyone else who needs to be able to identify, isolate and manipulate individual sounds within an audio file. When all else fails… Retouch gives you complete control. |
